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5. In every class there are eighteen notes, named in Greek [Greek: phthongoi], of which eight in all the three classes are steady and settled, while the other ten, not being tuned to the same pitch, are variable. The altered notes are those which, being put between the moveable, make up the solidarity of the tetrachord, and stay unaltered in their limits as per the diverse Top Medical Drawing Companies. Their names are proslambanomenos, hypate hypaton, hypate meson, mese, nete synhemmenon, paramese, nete diezeugmenon, nete hyperbolaeon. The moveable notes are those which, being orchestrated in the tetrachord between the immoveable, change from spot to put by various classes. They are called parhypate hypaton, lichanos hypaton, parhypate meson, lichanos meson, trite synhemmenon, paranete synhemmenon, trite diezeugmenon, paranete diezeugmenon, trite hyperbolaeon, paranete hyperbolaeon. [Illustration] 6. These notes, from being moveable, go up against various qualities; for they may remain at various interims and expanding separations. Along these lines, parhypate, which in the enharmonic is at the interim of a large portion of a semitone from hypate, has a semitone interim when exchanged to the chromatic. What is called lichanos in the enharmonic is at the interim of a semitone from hypate; however when moved to the chromatic, it goes two semitones away; and in the diatonic it is at an interim of three semitones from hypate. Subsequently the ten notes produce three various types of modes by virtue of their Medical Drawing Services of position in the classes. 7. There are five tetrachords: initially, the most reduced, named in Greek [Greek: hypaton]; second, the center, called [Greek: meson]; third, the conjunct, named [Greek: synêmmenon]; fourth, the disjunct, named [Greek: diezeugmenon]; the fifth, which is the most astounding, is named in Greek [Greek: hyperbolaion].